Transcripts of Interviews

Where in the late 18th-early 19th century a specimen, a plant or an animal or a bird was detached from its full ecological reality and stuck on a plain white page for the delectation of the amateurs and the cognoscenti in London, in much the same way with contemporary wilderness photography you have a depopulated, dehumanised specimen of wilderness experience that is a close-up of lichen on a rock or even of a river bend, something without a human presence...